logo






Design © 1998-2008
Ken Kocanda













LORD OF THE EARRINGS second half
(c) 2002 by Ross Anthony

The Finite Adventures of Rodo Mangoseed In Lord of the Earrings. "The Second Half" An original screenplay by Ross Anthony(C)2002. www.rossanthony.com/essays/lote.shtml

Click here to read the first half

INT. BUS -- DAY

GANDOLFINI

Rodo, you must never wear the earrings.

RODO

Why?

GANDOLFINI

It's much too dangerous.

RODO

But they're clip ons?

GANDOLFINI

Look trust me on this one, just don't do it.

RODO

And they match my watch.

GANDOLFINI

See.

RODO

(pulling them off)

Goodness, you're right, that was a close one.

GANDOLFINI

You must stay focused.

RODO

But, I would have gotten a free latte.

GANDOLFINI

Yeah, but then you'd feel indebted, and who knows where those horsemen have been.

RODO

Good point.

EXT. BUS STATION -- DAY

Gandolfini and Rodo exit the bus in conversation.

GANDOLFINI

I'm telling you-- I did not star in that movie!

RODO

Actually, I interviewed Julia for our school paper. I was so lucky.

GANDOLFINI

Really? What's she like.

RODO

She's just like she is in the movies. Saucy.

GANDOLFINI

Saucy, like how?

RODO

Like after the interview all the other junior reporters got up for an autograph. I thought that was so "unprofessional" so I just sat there collecting my things and she looks across the table at me - through the crowd.

GANDOLFINI

And then?

The two stroll merrily across the New Jersey bridge.

RODO

And she says as if she were me (in Julia voice) "I don't care who she is -- I'm not getting up for her autograph."

GANDOLFINI

She said that to you?

RODO

She was smiling, actually it was pretty funny.

GANDOLFINI

And that's that?

RODO

Well, I did go up afterwards and say, "Okay, okay, you can sign for me if you want."

Just then Rodo and Gandolfini look up to see that they're surrounded by the fiercest, most ferocious, ugliest, growlingest, hairiest, multiple eye'd-est beasts of every size shape and dimension, drooling bubbling acid saliva that only CGI can create. The Monsters wait patiently for the two to finish their little Julia Richards aside before destroying them.

GANDOLFINI

Don't move a muscle.

RODO

But they're going to kill us!!!!

GANDOLFINI

Quick, continue the story.

RODO

What story?

GANDOLFINI

The ah, the ah, Julia Richards story.

RODO

But that's it. It's done.

GANDOLFINI

Geeze boy, make some more up.

RODO

But that's the end of the story!

A huge giant monster with a head the size of a giant monster loses his patience, he grabs Rodo by the throat and lifts him off the ground.

GANDOLFINI

Put that boy down!

The Giant turns his middle moon to the Great Gandolfini and rips a huge fart that rumbles the theaters speakers and leaves such a thick horrid odor that you could almost see it.

Gandolfini stumbles with the disabilitating smell, then hobbles back up on his feet, coughing, he regains his composure, stretches his arms out dramatically and proclaims.

GANDOLFINI (CONT'D)

You may not pass gas here!

Huge wide shot of beasts and heroes on the bridge. The tension escalates as the giant inhales in anger, readying himself along with all the other mongrels to feast on the fleshy innocence of the two trapped do-gooders.

JUST THEN(wahoo!)Insanity Ted skateboards in, leaping from his wheels to the back of the giant. He knocks his arrow, aims directly down into the giant's skull and lets loose.

RODO

Insanity Ted! You found the arrow!

Insanity Ted's shot misses the target entirely (even though mere inches away) and heads off set nailing the special effects guy in the arm. The special effects guy grunts in pain, slamming the keyboard with his fist. The input overloads the effects software and one by one-- each monster grimaces at their fatal realization and pops off the screen into non-existence.

GANDOLFINI

Good shot ol' boy.

INSANITY TED

The trick is to aim at something else.

RODO

I think there's something philosophically profound there Insanity Ted.

GANDOLFINI

See Rodo, why can't you be as open-minded as your friend.

INSANITY TED

Geeze guys, I missed -- I mean, I got lucky.

Ring Ring. Gandolfini checks his wizard robes and finds his cell phone.

GANDOLFINI

(to phone)

Yeah, Gandolfini. -- No? Really? -- Okay, great, we'll be there immediately, -- bye..what? what? (reaches in pocket for notepaper/pen) okay. Broccoli, non-dairy creamer, poptarts. Yes. Yes, mom, I won't forget.

INSANITY TED

What was that?

GANDOLFINI

Quickly, Sorass has been nabbed by the NY police and is being held on trial.

RODO

Is that good or bad?

GANDOLFINI

Both. We've got to get there before he destories them all.

RODO

What can we do?

GANDOLFINI

I'm not sure, but with my magic and your earrings -- we might have a chance.

INSANITY TED

What's going on here?

RODO

But you said, never to put the --?

Just then the special effects guy whacks the side of his computer's monitor, the software sputters, a giant appears for just a second, but long enough to knock Gandolfini off the bridge with a pungent fart.

RODO (CONT'D)

Gandolfini!!!

INSANITY TED

Wasn't he on the Soprano's?

The boys look over the rail down into the river.

INSANITY TED (CONT'D)

Is he dead?

RODO

Don't know, we didn't actually see him die?

INSANITY TED

We can get a better view from over on that hillside.

The two boys run to a grassy plateau and look dramatically over. the credits start to roll.

RODO

Hey, what're those?

INSANITY TED

What? You mean these words here?

RODO

This one says, "Cast -- Rodo played by.."

INSANITY TED

"Insanity Ted played by-- "

RODO

Goodness Gandolfini was right! We aren't real. We're just characters brought to life with actors.

INSANITY TED

That sucks.

RODO

These are the credits.

INSANITY TED

But aren't credits supposed to roll at the end of the movie.

RODO

Good point. I guess this is the ending.

INSANITY TED

No way, can't be.

RODO

Why not?

INSANITY TED

This a crappy place to end a movie.

RODO

Ya think?

INSANITY TED

What about the evil guy? And look, you've still got those earrings -- I thought this whole story was about you destroying those things and you still have 'em.

RODO

Don't know how you knew that, but good point -- still, maybe this is where the book ends -- so, I guess viewers will just have to wait for the sequel.

INSANITY TED

That's wack. I'm not going to be in any movie that ends like that. Lets go wedgie the director.

DIRECTOR

I said "cut" like a million times, you little brats!

The two boys step off set, wedgie the director, then run to the court house. (www.rossanthony.com/essays/lote.shtml)

INT. COURTHOUSE -- DAY

Sorass is on the stand.

SORASS

(standing)

To tell the whole truth so help me Satan.

BAILIFF

Did you say Satan?

SORASS

Did I? I might have. My bad, I was thinking of something else. -- Err, ah, So help me God. There.

BAILIFF

Much better, you may be seated.

SORASS

(under his breath to the Judge)

I'd feel more of an obligation to be honest if he just let me say Satan.

JUDGE

(played by a Fred Gwynne imitator of "My Cousin Vinnie.")

Yes, I like Satin too.

(smiles)

It's just so darned expensive and gives me a rash when it rubs against my skin.

PROSECUTOR

(starting in strong and accusational) Mr. Sorass.

SORASS

You may address me simply as Sorass.

PROSECUTOR

(clears throat) Mr. Sorass where were you on those dates in history when the most dastardly events were occurring.

SORASS

Uhm, I was washing my hair.

PROSECTOR

I remind you, Mr. Sorass, you are under oath.

SORASS

Under where?

PROSECUTOR

Hah, I just made you say "underwear."

SORASS

Darn it, I hate it when I fall for that one.

PROSECUTOR

Okay, your honor, no more questions.

JUDGE

Very well then, next -- uhm, lawyer guy.

COURT DEFENDER

Sorass baby, you never hurt anybody did you?

SORASS

I was washing my hair.

Court Defender LEANS IN WHISPERING.

COURT DEFENDER

No, no Sorass, that's the answer for the other question (winks.)

PROSECUTOR

Judge, he's uhm, what's that word.

COURT DEFENDER

Leading?

PROSECUTOR

That's it, he's leading the witness.

JUDGE

Stop that you, bad boy. Just for that (strikes gavel) I find this guy guilty of all the heinous crimes throughout history.

Reaction shot of Sorass, shocked worried sweating, almost a tear. Shot of Sorass's Mommy in the back, jaw gaping, tears gushing.

JUDGE (CONT'D)

I sentence you to 16 months of community service - without parole!

The bailiff grabs Sorass by the arm.

BAILIFF

Come on big guy, it won't be so bad. I'll buy you some ding-dongs.

Sorass suddenly remembers who is. He stands strongly, growls viciously and bites the bailiff's arm.

BAILIFF (CONT'D)

Ouwww!!!

The Bailiff runs as Sorass grows wings from his back, a tail and horns, he becomes a grotesque shade of red, his teeth grow to fangs, nails to claws.

SORASS

Now you will all see what power I have!

Fire and smoke spew from his nostrils and throat like snot and spit as he concludes his sentence.

Rodo dons the earrings. But he's having trouble with the clip, it's not holding. Sorass's mom reaches over.

SORASS'S MOMMY

Let me help you there. Always hold the back clip, then snap and there you are.

SORASS

(leans in toward judge)

Hey, you're Herman Munster right?

JUDGE

(leaning in too)

Look who's talkin'.

SORASS

I'm going to rule the world!

JUDGE

Chill out homes, it ain't happnin'

SORASS

Who's going to stop me?

JUDGE

(nods in the direction of Insanity Ted and Rodo)

Da two yoots.

SORASS

Who?

JUDGE

(slowly)

Da two yoots.

SORASS

They're boys, I'll snap them like twigs.

JUDGE

(pulls his hair back, and in his best Jack Nicolson)

You can't handle the yoots!

Sorass's attention focuses on the boy.

SORASS

The Earrings!!!

Sorass lunges in anger knocking over desks, smashing light fixtures, burning chairs with his fire breath. Rodo finally clips on the second earring.

INSANITY TED

No don't!

RODO

(to beast)

Okay Mister, that's enough! Look at this place, it's a pigsty.

Sorass stops wide-eyed and powerless.

SORASS

But, but --

RODO

Oh, don't give me your buts, there's no if ands or buts about it -- You've been bad.

Sorass, frustrated and unable to attack Rodo with the earrings, picks up the bailiff and throws him across the room.

RODO (CONT'D)

That's it buster, now I'll give you something to cry about.

Rodo climbs up on the bench and grabs Sorass by the ear. Sorass cringes. Rodo walks him over to a cell.

RODO (CONT'D)

Now you stay there and pout if you want to. You can come out when you're ready to apologize to the bailiff's next of kin and behave like a decent evil being.

The cell door locked, Sorass in shame. The courtroom rejoices.

INSANITY TED

Great job Rodo!

RODO

I am dying for some chocolate.

INSANITY TED

Okay okay, now take the earrings off.

RODO

This place is a mess, could I get some help over here?

INSANITY TED

Rod, Rod, the earrings --

Rodo catches himself in a mirror, his hair matted from his earlier swim.

RODO

Oh my God, Insanity Ted how could you let me leave the house like this?

Insanity Ted leaps from the chairs knocking Rodo down and tearing the earrings off his head.

RODO (CONT'D)

Uhm, Insanity Ted, would you mind getting off of me?

INSANITY TED

Uhm Rodman, are you you?

RODO

What a wonderful question to ponder.

INSANITY TED

Rodo Mangoseed! You're yoU!

The two boys wrestle happily as a tall beautiful woman, silky gown flowing in the gentle breeze created by rental fans, steps up to them. The stagelighting majestically beams through the delicate material. (www.rossanthony.com/essays/lote.shtml)

QOD

Well done, my dear Rodo, you've served humankind well. With Sorass in time-out you should be safe for another 3 bazillion years at least.

INSANITY TED

And you are?

QOD

I'm queen of dreams.

RODO

Oh, no, this hasn't been all a dream has it?

INSANITY TED

I hate it when movies end that way -- that is so lame -- uhm -- too.

QOD

What is so lame about dreaming? Dream, Reality -- why is that such an important distinction?

RODO

Personally, I prefer to be real.

QOD

Believe it and so you are. Come-on, what's the big deal? -- Either way you have life. Isn't that a good thing?

INSANITY TED

Whatever, look what should we do with the earrings?

RODO

(searching for an explanation)

Did God send you?

QOD

God sent all of us ... isn't that the definition of God?

INSANITY TED

Okay, now this is getting way too cerebral.

RODO

Am I supposed ta bring the earrings to him?

QOD

Who?

RODO

God?

QOD

What makes you think God is a him?

RODO

Her?

QOD chuckles and shakes her head "No."

INSANITY TED

God's a hermaphrodite?

QOD

Come on, God's got about as much gender as an idea.

The boys' eyes widen in confusion with that thought -- errr, that genderless thought.

QOD (CONT'D)

-- as a feeling, as a dream.

RODO

Androgyny?

QOD

Yep.

INSANITY TED

Oh, love that band. They rock!

RODO

Look,

(to QOD))

Could you give this guy a brain?

INSANITY TED

And this guy some courage.

QOD

You've both got heart and with that -- you can grow your own smarts and your own courage. Besides I don't see any yellow bricks around here.

INSANITY TED

Poppies poppies!

QOD rolls her eyes at Insanity Ted, folds her arms and sighs.

QOD

Are you quite finished with those earrings?

RODO

I think so.

INSANITY TED

Yes!!!!!

QOD

Then I'll take them.

RODO

Will you destroy them, I mean destory them?

Rodo hands the golden earrings carefully to QOD. QOD promptly tosses them into her mouth and chews them up.

INSANITY TED

Uhm? What are you doing?

QOD

(enjoying the last swallow) I'm eating them.

RODO

But they're gold?

QOD

No they're not. They're dehydrated crystalized bee-honey.

INSANITY TED

Why would Sorass make earrings out of honey?

QOD

Sorass didn't make them and they're not real earrings.

INSANITY TED

(facetiously) What are they DREAM earrings?

QOD

They're candy earrings. I love 'em -- did you ever have the candy necklaces -- I love those too.

INSANITY TED

Yeah, I had those bracelets once, they taste like pure sugar.

RODO

Excuse me you two, but Gandolini specifically told me that Sorass made them.

QOD

Old Gandolfini, he so loves good stories. Given half a chance, he can't help himself, but make up a few.

RODO

But what about the horsemen and all that?

QOD

You're funny Rodo Mangoseed. You can't even believe that you're in a dream, but you believed all that malarkey.

INSANITY TED

Hook line and stinker.

RODO

Shut up, you believed it too!

Insanity Ted turns to QOD.

INSANITY TED

But hey, hey, if the earrings were just honey, how did they make Rodo into a woman?

QOD

A woman? You really think that was a woman? Some guy parading around in candy earrings worrying whether his clothing coordinates and stressing over a clean house?

INSANITY TED

What?

QOD

Grow up, that's not the definition of a woman. That's your small-minded idea of what a woman is.

RODO

But it worked. I mean the horsemen were powerless.

QOD

That's because they're just as infant-minded as you. (Laughs) Oh, you are all so amusing.

INSANITY TED

Excuse, me ma'am, you are a ma'am right?

QOD

Yes.

INSANITY TED

So then, this'll sound stupid, but -- what exactly is a woman?

QOD

(smiles caringly -- grabs his cheeks) There isn't just one definition for woman. Just as there isn't just one definition for man. Look at you two - are you alike?

Rodo and Insanity Ted look at each other and slowly strongly shake their heads "No."

QOD (CONT'D)

Yep, you're not. There's just as many kinds of women as there are men. They're just as many powerful ones as men, just as many fools as men, and just as many good ones as there are men. Sadly that's a smaller number than I'd like to see.

RODO

What?

QOD

So many people on your planet, but too few good ones.

RODO

Are we good ones?

QOD

(smiles)

Look at you two. You just saved the world from eternal damnation. I think that gives you a leg up.

INSANITY TED

Cool -- a leg up.

RODO

But what about other people?

QOD

So nice of you to ask. You don't have to save the world from never-ending evil to be good. You just have to try. That's all. Make a small positive contribution to the universe.

RODO

Is that the moral then? Of this story? Dream? Whatever?

QOD

Still thinking like Gandolfini - are you?

RODO

Well?

QOD

If you need a moral, there it is. Go be good. Laugh, have fun, don't hurt anybody. Eat a lot of candy.

INSANITY TED

Sounds good to me -- go ahead roll those credits -- Got any more of those candy earrings on you?

THE END -- Credits Roll

Screenplay (C)2002 Ross Anthony

Feel free to email this Link to a friend: www.rossanthony.com/essays/lote.shtml



 


click here for OTHER ESSAYS by Ross Anthony
click here for BOOKS by Ross Anthony

...and yes, this is a film review site.








Copyright © 2002. Ross Anthony, currently based in Los Angeles, has scripted and shot documentaries, music videos, and shorts in 35 countries across North America, Europe, Africa and Asia. For more reviews visit: RossAnthony.com


ra
radiop pbj hforh


Last Modified: Saturday, 16-Sep-2006 08:29:07 PDT