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The Finite Adventures of Rodo Mangoseed In Lord of
the Earrings. "The Second Half" An original
screenplay by Ross Anthony(C)2002.
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here to read the first half
INT. BUS -- DAY
Rodo, you must never wear the earrings.
Why?
It's much too dangerous.
But they're clip ons?
Look trust me on this one, just don't do it.
And they match my watch.
See.
Goodness, you're right, that was a close
one.
You must stay focused.
But, I would have gotten a free latte.
Yeah, but then you'd feel indebted, and who
knows where those horsemen have been.
Good point.
EXT. BUS STATION -- DAY
Gandolfini and Rodo exit the bus in
conversation.
I'm telling you-- I did not star in that
movie!
Actually, I interviewed Julia for our school
paper. I was so lucky.
Really? What's she like.
She's just like she is in the movies. Saucy.
Saucy, like how?
Like after the interview all the other junior
reporters got up for an autograph. I thought that
was so "unprofessional" so I just sat there
collecting my things and she looks across the table
at me - through the crowd.
And then?
The two stroll merrily across the New Jersey
bridge.
And she says as if she were me (in Julia voice)
"I don't care who she is -- I'm not getting up for
her autograph."
She said that to you?
She was smiling, actually it was pretty
funny.
And that's that?
Well, I did go up afterwards and say, "Okay,
okay, you can sign for me if you want."
Just then Rodo and Gandolfini look up to see that
they're surrounded by the fiercest, most ferocious,
ugliest, growlingest, hairiest, multiple eye'd-est
beasts of every size shape and dimension, drooling
bubbling acid saliva that only CGI can create. The
Monsters wait patiently for the two to finish their
little Julia Richards aside before destroying
them.
Don't move a muscle.
But they're going to kill us!!!!
Quick, continue the story.
What story?
The ah, the ah, Julia Richards story.
But that's it. It's done.
Geeze boy, make some more up.
But that's the end of the story!
A huge giant monster with a head the size of a
giant monster loses his patience, he grabs Rodo by
the throat and lifts him off the ground.
The Giant turns his middle moon to the Great
Gandolfini and rips a huge fart that rumbles the
theaters speakers and leaves such a thick horrid odor
that you could almost see it.
Gandolfini stumbles with the disabilitating smell,
then hobbles back up on his feet, coughing, he
regains his composure, stretches his arms out
dramatically and proclaims.
You may not pass gas here!
Huge wide shot of beasts and heroes on the bridge.
The tension escalates as the giant inhales in anger,
readying himself along with all the other mongrels to
feast on the fleshy innocence of the two trapped
do-gooders.
JUST THEN(wahoo!)Insanity Ted skateboards in,
leaping from his wheels to the back of the giant. He
knocks his arrow, aims directly down into the giant's
skull and lets loose.
Insanity Ted! You found the arrow!
Insanity Ted's shot misses the target entirely
(even though mere inches away) and heads off set
nailing the special effects guy in the arm. The
special effects guy grunts in pain, slamming the
keyboard with his fist. The input overloads the
effects software and one by one-- each monster
grimaces at their fatal realization and pops off the
screen into non-existence.
Good shot ol' boy.
The trick is to aim at something else.
I think there's something philosophically
profound there Insanity Ted.
See Rodo, why can't you be as open-minded as
your friend.
Geeze guys, I missed -- I mean, I got lucky.
Ring Ring. Gandolfini checks his wizard robes and
finds his cell phone.
Yeah, Gandolfini. -- No? Really? -- Okay, great,
we'll be there immediately, -- bye..what? what?
(reaches in pocket for notepaper/pen) okay.
Broccoli, non-dairy creamer, poptarts. Yes. Yes,
mom, I won't forget.
What was that?
Quickly, Sorass has been nabbed by the NY police
and is being held on trial.
Is that good or bad?
Both. We've got to get there before he destories
them all.
What can we do?
I'm not sure, but with my magic and your
earrings -- we might have a chance.
What's going on here?
But you said, never to put the --?
Just then the special effects guy whacks the side
of his computer's monitor, the software sputters, a
giant appears for just a second, but long enough to
knock Gandolfini off the bridge with a pungent
fart.
Gandolfini!!!
Wasn't he on the Soprano's?
The boys look over the rail down into the
river.
Is he dead?
Don't know, we didn't actually see him die?
We can get a better view from over on that
hillside.
The two boys run to a grassy plateau and look
dramatically over. the credits start to roll.
Hey, what're those?
What? You mean these words here?
This one says, "Cast -- Rodo played by.."
"Insanity Ted played by-- "
Goodness Gandolfini was right! We aren't real.
We're just characters brought to life with
actors.
That sucks.
These are the credits.
But aren't credits supposed to roll at the end
of the movie.
Good point. I guess this is the ending.
No way, can't be.
Why not?
This a crappy place to end a movie.
Ya think?
What about the evil guy? And look, you've still
got those earrings -- I thought this whole story
was about you destroying those things and you still
have 'em.
Don't know how you knew that, but good point --
still, maybe this is where the book ends -- so, I
guess viewers will just have to wait for the
sequel.
That's wack. I'm not going to be in any movie
that ends like that. Lets go wedgie the
director.
I said "cut" like a million times, you little
brats!
The two boys step off set, wedgie the director,
then run to the court house.
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INT. COURTHOUSE -- DAY
Sorass is on the stand.
To tell the whole truth so help me Satan.
Did you say Satan?
Did I? I might have. My bad, I was thinking of
something else. -- Err, ah, So help me God.
There.
Much better, you may be seated.
(under his breath to the Judge)
I'd feel more of an obligation to be honest if
he just let me say Satan.
(played by a Fred Gwynne imitator of "My
Cousin Vinnie.")
Yes, I like Satin too.
It's just so darned expensive and gives me a
rash when it rubs against my skin.
(starting in strong and accusational) Mr.
Sorass.
You may address me simply as Sorass.
(clears throat) Mr. Sorass where were you on
those dates in history when the most dastardly
events were occurring.
Uhm, I was washing my hair.
I remind you, Mr. Sorass, you are under
oath.
Under where?
Hah, I just made you say "underwear."
Darn it, I hate it when I fall for that one.
Okay, your honor, no more questions.
Very well then, next -- uhm, lawyer guy.
Sorass baby, you never hurt anybody did you?
I was washing my hair.
Court Defender LEANS IN WHISPERING.
No, no Sorass, that's the answer for the other
question (winks.)
Judge, he's uhm, what's that word.
Leading?
That's it, he's leading the witness.
Stop that you, bad boy. Just for that (strikes
gavel) I find this guy guilty of all the heinous
crimes throughout history.
Reaction shot of Sorass, shocked worried sweating,
almost a tear. Shot of Sorass's Mommy in the back,
jaw gaping, tears gushing.
I sentence you to 16 months of community service
- without parole!
The bailiff grabs Sorass by the arm.
Come on big guy, it won't be so bad. I'll buy
you some ding-dongs.
Sorass suddenly remembers who is. He stands
strongly, growls viciously and bites the bailiff's
arm.
The Bailiff runs as Sorass grows wings from his
back, a tail and horns, he becomes a grotesque shade
of red, his teeth grow to fangs, nails to claws.
Now you will all see what power I have!
Fire and smoke spew from his nostrils and throat
like snot and spit as he concludes his sentence.
Rodo dons the earrings. But he's having trouble
with the clip, it's not holding. Sorass's mom reaches
over.
Let me help you there. Always hold the back
clip, then snap and there you are.
Hey, you're Herman Munster right?
Look who's talkin'.
I'm going to rule the world!
Chill out homes, it ain't happnin'
Who's going to stop me?
(nods in the direction of Insanity Ted and
Rodo)
Da two yoots.
Who?
Da two yoots.
They're boys, I'll snap them like twigs.
(pulls his hair back, and in his best Jack
Nicolson)
You can't handle the yoots!
Sorass's attention focuses on the boy.
Sorass lunges in anger knocking over desks,
smashing light fixtures, burning chairs with his fire
breath. Rodo finally clips on the second earring.
No don't!
Okay Mister, that's enough! Look at this place,
it's a pigsty.
Sorass stops wide-eyed and powerless.
But, but --
Oh, don't give me your buts, there's no if ands
or buts about it -- You've been bad.
Sorass, frustrated and unable to attack Rodo with
the earrings, picks up the bailiff and throws him
across the room.
That's it buster, now I'll give you something to
cry about.
Rodo climbs up on the bench and grabs Sorass by
the ear. Sorass cringes. Rodo walks him over to a
cell.
Now you stay there and pout if you want to. You
can come out when you're ready to apologize to the
bailiff's next of kin and behave like a decent evil
being.
The cell door locked, Sorass in shame. The
courtroom rejoices.
Great job Rodo!
I am dying for some chocolate.
Okay okay, now take the earrings off.
This place is a mess, could I get some help over
here?
Rod, Rod, the earrings --
Rodo catches himself in a mirror, his hair matted
from his earlier swim.
Oh my God, Insanity Ted how could you let me
leave the house like this?
Insanity Ted leaps from the chairs knocking Rodo
down and tearing the earrings off his head.
Uhm, Insanity Ted, would you mind getting off of
me?
Uhm Rodman, are you you?
What a wonderful question to ponder.
Rodo Mangoseed! You're yoU!
The two boys wrestle happily as a tall beautiful
woman, silky gown flowing in the gentle breeze
created by rental fans, steps up to them. The
stagelighting majestically beams through the delicate
material. (www.rossanthony.com/essays/lote.shtml)
Well done, my dear Rodo, you've served humankind
well. With Sorass in time-out you should be safe
for another 3 bazillion years at least.
And you are?
I'm queen of dreams.
Oh, no, this hasn't been all a dream has it?
I hate it when movies end that way -- that is so
lame -- uhm -- too.
What is so lame about dreaming? Dream, Reality
-- why is that such an important distinction?
Personally, I prefer to be real.
Believe it and so you are. Come-on, what's the
big deal? -- Either way you have life. Isn't that a
good thing?
Whatever, look what should we do with the
earrings?
(searching for an explanation)
Did God send you?
God sent all of us ... isn't that the definition
of God?
Okay, now this is getting way too cerebral.
Am I supposed ta bring the earrings to him?
Who?
God?
What makes you think God is a him?
Her?
QOD chuckles and shakes her head "No."
God's a hermaphrodite?
Come on, God's got about as much gender as an
idea.
The boys' eyes widen in confusion with that
thought -- errr, that genderless thought.
-- as a feeling, as a dream.
Androgyny?
Yep.
Oh, love that band. They rock!
Look,
Could you give this guy a brain?
And this guy some courage.
You've both got heart and with that -- you can
grow your own smarts and your own courage. Besides
I don't see any yellow bricks around here.
Poppies poppies!
QOD rolls her eyes at Insanity Ted, folds her arms
and sighs.
Are you quite finished with those earrings?
I think so.
Yes!!!!!
Then I'll take them.
Will you destroy them, I mean destory them?
Rodo hands the golden earrings carefully to QOD.
QOD promptly tosses them into her mouth and chews
them up.
Uhm? What are you doing?
(enjoying the last swallow) I'm eating them.
But they're gold?
No they're not. They're dehydrated crystalized
bee-honey.
Why would Sorass make earrings out of honey?
Sorass didn't make them and they're not real
earrings.
(facetiously) What are they DREAM earrings?
They're candy earrings. I love 'em -- did you
ever have the candy necklaces -- I love those
too.
Yeah, I had those bracelets once, they taste
like pure sugar.
Excuse me you two, but Gandolini specifically
told me that Sorass made them.
Old Gandolfini, he so loves good stories. Given
half a chance, he can't help himself, but make up a
few.
But what about the horsemen and all that?
You're funny Rodo Mangoseed. You can't even
believe that you're in a dream, but you believed
all that malarkey.
Hook line and stinker.
Shut up, you believed it too!
Insanity Ted turns to QOD.
But hey, hey, if the earrings were just honey,
how did they make Rodo into a woman?
A woman? You really think that was a woman? Some
guy parading around in candy earrings worrying
whether his clothing coordinates and stressing over
a clean house?
What?
Grow up, that's not the definition of a woman.
That's your small-minded idea of what a woman
is.
But it worked. I mean the horsemen were
powerless.
That's because they're just as infant-minded as
you. (Laughs) Oh, you are all so amusing.
Excuse, me ma'am, you are a ma'am right?
Yes.
So then, this'll sound stupid, but -- what
exactly is a woman?
(smiles caringly -- grabs his cheeks) There
isn't just one definition for woman. Just as there
isn't just one definition for man. Look at you two
- are you alike?
Rodo and Insanity Ted look at each other and
slowly strongly shake their heads "No."
Yep, you're not. There's just as many kinds of
women as there are men. They're just as many
powerful ones as men, just as many fools as men,
and just as many good ones as there are men. Sadly
that's a smaller number than I'd like to see.
What?
So many people on your planet, but too few good
ones.
Are we good ones?
Look at you two. You just saved the world from
eternal damnation. I think that gives you a leg
up.
Cool -- a leg up.
But what about other people?
So nice of you to ask. You don't have to save
the world from never-ending evil to be good. You
just have to try. That's all. Make a small positive
contribution to the universe.
Is that the moral then? Of this story? Dream?
Whatever?
Still thinking like Gandolfini - are you?
Well?
If you need a moral, there it is. Go be good.
Laugh, have fun, don't hurt anybody. Eat a lot of
candy.
Sounds good to me -- go ahead roll those credits
-- Got any more of those candy earrings on you?
THE END -- Credits Roll
Screenplay (C)2002 Ross Anthony
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