An American sales executive finds Saudi Arabia as good a place as any to face his midlife crisis.
Superb opening. It's buoyant and darkly funny, and backed by one of the best songs of the 80's - The Talking Heads' "Once in a Lifetime."
Despite the fact, that this type of energy is never again reprised, the film does remain darkly funny and does not disappoint. Yes, it's pace is not bubbly, but determined, and actually sharply brisk at points (for a quiet little indie). The plot is wonderfully unpredictable -- not entirely - but mostly. The unexpected turns churn up a silent momentum both in story and emotion. It's a quirky little ride.
Tom Hanks carries this strong story well. The editing is crisp and well timed, and I greatly appreciated the touch of surreal.
Slightly reminiscent of "Lost in Translation" or the lesser known "Outsourced."
Save for the cabbie (who just felt too American), the supporting actors were all wonderful and the direction smart. I also enjoyed the minimalist, but emotive score.
Tom Hanks says of the film (from the press notes): "I was already a big fan of Dave Egger's work, having read a bunch of his stuff … then I read A Hologram for a King in one sitting and my only question when I finished it was whether or not he wanted a movie made out of his book."
And the director says of the film that it's "funny in a meaningful, complicated, but fascinating way."
-- Books by Ross Anthony, Author/Illustrator --
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