"Whewwww." An exclamation you'll likely hear
exiting a showing of Tony Kaye's American History
X. The film is a pressure cooker of kerosene set
on simmer. Most of us tend to avoid tension in our
daily lives, so if you've forgotten how to stay calm
while somebody probes you with a pointed object such
as racism -- either you should stay home or make sure
you watch this film to it's end.
Yes, whether you're white, black, yellow, Jewish,
Christian, or even a visiting extra terrestrial --
you are very likely to have an exercise in restraint.
And yes, American History X could be likened
to a bent and rusty dental implement; it's audience,
a less than perfect set of teeth. Sound like fun?
"Fun" is definitely not the befitting word. But
"poignant" might be. Especially if you are
temporarily mesmerized by the thought of hating -- as
in race hate. Then take a look at this picture.
Aside from the uncomfortable feeling one gets at
the sight of a bald white man with a swastika the
size of a tarantula tattooed to his chest, the film
was a bit awkward getting off the ground. The first
20 to 30 minutes were aggravated slightly by some
stiff dialogue and sticky acting. But after that, a
tar-thick layer of tension was cimematically laid via
strong script, careful direction, photography and a
subject matter that has the strength in it's little
pinkie to tear America in half.
The middle is where this film effectively grabs
(or should I say pins) the viewer. A gritting dinner
table scene with mother's boyfriend (Elliott Gould)
and skinhead Derek (Edward Furlong) serves Rodney
King concentrate instead of orange juice. I think
I've still got my date's nail marks in my wrist from
that one. In another scene, Derek, being handcuffed
in slo-mo, connects eyes with his younger brother.
That one glare tells the story of their intense
relationship. In fact, that one scene is the
screenplay of American History X in a glance.
Artfully done.
I usually get antsy in longer films. My butt
cheeks get cramped, or I'm grinding my teeth to keep
my bladder from bursting. For once, this is a film I
thought could have gone longer. Derek, gets a
perspective-setting lesson in prison (talk about
posterior discomfort!). This and a wonderfully
developed friendship with a black inmate set his
transformation in motion. But it happens a bit too
quickly for me.
All in all, Kaye paces this project well. Through
its intense scenes and grainy black and white
flashbacks, the tale is revealed to us carefully.
It's a bold film, not afraid to speak it's mind. If
you're bold enough to see it, exercise your tolerance
and sit through the whole thing.
American History X is high school student
Danny Vinyard's (played by Edward Furlong of T2 fame)
essay on his older brother, Derek (Edward Norton) a
white supremacist skinhead just released from prison
after killing two black men.
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