Willkommen
Cabaret
Review by Ross Anthony

sally The musical is fun, well choreographed, costumed, and staged. The theatre (MET's mainstage) has a warm welcoming feel and comfortable stadium seating. A live six piece orchestra provides bright backing and the wireless lav mics keep voices upfront and strong in the mix. This is not a kid's show as the Kit Kat Club celebrates dance, fun, and flesh. The emcee is played extremely aptly by Renee Cohen with gender-bending flare, great eye expression, and exuberant costume changes. I loved her red, long tail tux.

Caitlin Ary one-ups Cohen's excellent performance. Ary's body language (from sultry, to snotty, to playful) speaks volumes. She's strong in both acting and singing. The audience loved her. Emilia Sotelo also entertains in a smaller role. Lastly, Veronica Scheyving gives a solid portrayal of Fraulein Schneider. Sadly, the men in the play don't match the chops of the play's female performers.

The surface drama is obvious and interesting, though the production (1& ¾ hours before the break, ¾ hr after) lulls twenty minutes or so prior to intermission.

In general, the music is marvelous. There are some great numbers here. “Mein Herr” sports sweet dynamics in volume and tempo and punches the chorus. Likewise, most of the tunes are flashy and fun. That said, “Tomorrow belongs to Me” proves a perfect balancing contrast in its four-part somber (even reverent) harmony. “Meeskite” unfortunately, and appropriately to the words, is the plays ugly duckling song.

It's a glitzy tapestry of deathly serious plot points, devil-may-care dance, and tipsy silly song that indulges in a Shakespearian sense of drama. Ironically tragic.

mc Director's Note: “Cabaret has always had fun moments and entertained many since its original staging in the 1960's. The revised version became the standard to younger generations but DOMA presents the original version with a twist. Society, whether influenced by chaos or trying to remain neutral, creates order - but one never knows what kind of order.”

-- Books by Ross Anthony, Author/Illustrator --


  • Cabaret. Copyright © 2011.
  • Based on the April 29, 2011 performance by Doma Theatre Co. at The Met Theatre, Los Angeles. Directed by Marco Gomez. Starring Renee Cohen, Caitlin Ary, Leo Foti, Rory Alexander, Veronica Scheyving, Jermy Ebenstein, Emilia Sotelo, Ricky Webster.

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Copyright © 1998-2023 Ross Anthony, Author - Speaker - Solo World Circumnavigator In addition to reviewing films and interviewing celebs at HollywoodReportCard.com, traveling the world, composing great music, motivational speaking, Mr. Anthony also runs his own publishing company in the Los Angeles area. While traversing the circumference of the planet writing books and shooting documentaries, Mr. Anthony has taught, presented for, worked &/or played with locals in over 30 countries & 100 cities (Nairobi to Nagasaki). He's bungee-jumped from a bridge near Victoria Falls, wrestled with lions in Zimbabwe, crashed a Vespa off a high mountain road in Taiwan, and ridden a dirt bike across the States (Washington State to Washington DC). To get signed books ("Rodney Appleseed" to "Jinshirou") or schedule Ross to speak check out: www.RossAnthony.com or call 1-800-767-7186. Go into the world and inspire the people you meet with your love, kindness, and whatever it is you're really good at. Check out books by Ross Anthony. Rand() functions, Pho chicken soup, rollerblading, and frozen yogurt (w/ blueberries) also rock! (Btw, rand is short for random. It can also stand for "Really Awkward Nutty Dinosaurs" -- which is quite rand, isn't it?) Being alive is the miracle. Special thanks to Ken Kocanda, HAL, Jodie Keszek, Don Haderlein, Mom and Pops, my family, R. Foss, and many others by Ross Anthony. Galati-FE also deserves a shout out. And thanks to all of you for your interest and optimism. Enjoy great films, read stirring novels, grow.


Last Modified: Tuesday, 03-May-2011 14:53:48 PDT